Vanessa Rossetto releases Exotic Exit on Graham Lambkin’s Kye

Vanessa Rossetto releases Exotic Exit on Graham Lambkin's Kye http://www.tinymixtapes.com/sites/default/files/news-12-08-vanessa-rossetto.jpg

Vanessa Rossetto. Given the context in which her name has come up, I almost assumed that she was an Italian opera singer. That’s right: if you’re a woman, have an Italian last name, and are even remotely involved in music, I will automatically assume you’re an opera singer. I’ve clearly never lived in New Jersey.

No, as it turns out, Rossetto is involved in something far more congruent with the content of TMT: field recording and free improvisation. She lives in Austin, TX, one of two cities serving as the source material for her new LP, Exotic Exit. The other city is New York City, and the other material stems, of course, from her improvisational side, which centers around the creation of elaborate sound collages.

According to a press release, Rossetto utilizes viola, violin, cello, dulcetina, and glockenspiel in order to create an effecting contrast and shroud over the sparse sounds of the aforementioned cities. In her own words: “Exotic Exit is a summary of my daily life and the environments that I passed through; traveling and remaining at home, walking, working, eating, talking and listening to music behind closed doors.” Rossetto obviously has a penchant for understating.

Check out the wonderful track “34815” below. The LP is available for purchase now via Graham Lambkin’s Kye Records.

• Vanessa Rossetto: http://www.musicappreciationrecs.com/vrbio.html
• Kye: http://kyerecords.blogspot.com/

Clinic impinge the shit out of us by totally imposing new album Free Reign on us this November

If there’s one thing that fans of Clinic need to know about Clinic, it’s this: Clinic is a band that does shit sometimes, and this current time is one of those times. The second thing they need to know is that this news story you’re reading at the present time concerns itself with the latest shit that they are doing. That shit — the shit that I just spoke of earlier — is exactly the same shit as the shit that concerns itself with releasing their seventh album via Domino on November 13 (in North America), November 12 (in the rest of the world besides Antarctica), and Never (in Antarctica). That shit also has a name, and that’s Free Reign, the shit on which was produced by Clinic themselves in Liverpool and mixed with Daniel Lopatin (Oneohtrix Point Never, Chuck Person, Ford & Lopatin), possibly also there, but equally-possibly, somewhere else (again, besides Antarctica).

Oh, and there’s still a third thing that fans of Clinic need to know (and yet, like all of this shit, the forthcoming shit concerns itself greatly with the antecedent shit that I shat all over up there earlier): NOT ONLY will Free Reign come out in its released form in the usual formats of CD, LP, digital download, and satellite uplink, but — and this is the part of the shit that’s The Shit! — it will also get shat out in this “limited edition UFO format, in the form of an exclusive, glow-in-the-dark, cosmic flying disc which comes with the album download code.” In other words, this shit is also getting flung out as a Frisbee. So, you know, that’s it. That’s the shit. If you’re into it, click here to pre-order some when it’s ready.

Free Reign:

01. Misty
02. See Saw
03. Seamless Boogie Woogie BBC2 10pm (rpt)
04. Cosmic Radiation
05. Miss You
06. For the Season
07. King Kong
08. You
09. Sun and the Moon

• Clinic: http://www.clinicvoot.org
• Domino: http://www.dominorecordco.com

[Photo: Rhian Askins]

OM reschedule fall tour, ride dinosaurs this time instead of skateboards

Emil Amos plays drums in OM, and earlier this summer, he got pretty banged up in a skateboarding accident. OM had to postpone their fall tour, and that’s what’s most important here, but I can’t stop thinking about two other skateboard-related things: Rocket Power and Skrillex. Those Rocket Power kids rode their skateboards everywhere. Skrillex skates too. Or so I’ve heard.

But I’m not here to ramble about some old cartoon or a self-proclaimed psychedelic glass dolphin blower. I’m here to say that OM have now rescheduled the tourdates. They’ll be supporting their new album, Advaitic Songs, which came out back in July on Drag City. We chatted with them recently, and even though we didn’t ask if they’ll be skating from city to city, I’d reckon there’s a damn good chance they won’t be.

Dates:

11.17.12 - Chicago, IL - Empty Bottle
11.18.12 - Toronto, ON - Great Hall
11.19.12 - Montreal, QC - Il Motore
11.20.12 - Boston, MA - Brighton Music Hall
11.21.12 - New York, NY - Bowery Ballroom
11.23.12 - Philadelphia, PA - Johnny Brendas
11.24.12 - Baltimore, MD - Ottobar
11.25.12 - Chapel Hill, NC - Cat’s Cradle
11.26.12 - Atlanta, GA - 529
11.27.12 - Nashville, TN - Mercy Lounge
11.28.12 - Bloomington, IN - Bishop

• OM: http://omvibratory.com
• Drag City: http://www.dragcity.com

Trail of Dead announce new album and share new song about the trail of dead in Syria

…And You Will Know Us By The Trail Of Dead are fed up with the apathy to Real World Events (non-Olympic) that they feel “has plagued the independent music scene for over a decade” (starting exactly a month after Fugazi released The Argument). They are fed up and, unsurprisingly, they are so angry they could easily leave a trail of dead in their grumpy wake. But that would hinder the point that …AYWKUBTTOD are trying to make: the independent music scene needs to start giving a shit about Real World Issues like the Syrian civil war and its accompanying massacres. Like, right NOW, right now. So they’ve released “Up To Infinity” (via Pitchfork) which is about the Syrian civil war, and they hope it helps YOU to start giving a shit, to start mobilizing on issues, and to do somthing about Real World Problems. They’ve already made a song about it, but what are YOU going to do now?

“Up To Infinity” will also see release on …AYWKUBTTOD’s forthcoming eighth studio album Lost Songs, put out by Richter Scale/Superball Music and available October 23. Getting even more serious about Real World Issues, frontman Conrad Keeley said the album was inspired by the band’s shared belief that “tyranny and despotism suffered by any people, anywhere, is intolerable and should not be treated as an internal matter, but completely justifies intervention by the international community.” For real, though.

In case you want to get more involved in Real World Events, check out …And you Will Know Us By The Trail Of Dead on their tour. Dates listed below:

11.04.12 - Austin, TX - Fun Fun Fun Fest
11.08.12 - San Francisco, CA - The Independent
11.09.12 - Los Angeles, CA - Echoplex
11.10.12 - San Diego, CA - The Casbah
11.15.12 - Washington, DC - Rock and Roll Hotel
11.16.12 - New York, NY - Irving Plaza
11.17.12 - Cambridge, MA - Middle East Downstairs
11.18.12 - Philadelphia, PA - First Unitarian Church
11.20.12 - Toronto, Ontario - Lee’s Palace
11.21.12 - Chicago, IL - The Bottom Lounge

• Trail of Dead: http://www.trailofdead.org
• Superball Music: http://www.superballmusic.com

BPI admits “mistake” in “accidentally” requesting removal of negative Drake review from Google; I mean, they could be telling the truth…

Among the informed class of music lovers (of which I obviously include readers of TMT), the caricature of the Big Four record labels, and of the popular music industry in general, is not unlike a suit-wearing version of Star Wars’ Empire leadership. They presumably collude in the dark recesses of their offices. They operate on a presumably amoral basis. And perhaps most importantly, they’re uniformly (if not always blatantly) focused on crushing any and all opposition. Were you aware that their opposition now extends to negative reviews of albums posted on the internet? Well, at least some people think that’s the case.

A bit of background: about a week ago, Henry “Rizoh” Adaso, the founder of the hip-hop website The Rap Up, wrote about the mysterious disappearance of an album review from Google’s search results. The review was a brief, but decidedly not-positive take on rapper Drake’s album Take Care, which was conclusively referred to by Adaso as a “safe-alternative to sleeping pills.”

After investigating, Adaso found that the review was removed on the basis of a DMCA (Digital Millennium Copyright Act) complaint, initially thought to have been made by Universal Music Group and which included numerous other URLs containing supposedly infringing material. Adaso maintains that the page with his review was entirely innocent, writing “The only UMG property on that page is the artwork, and IT IS fully credited. So what’s the issue here?”

The issue, apparently, is the power given to entertainment companies by the DMCA. As Billboard first reported, it was BPI, the UK’s equivalent of the RIAA, and not UMG, that requested the removal of Adaso’s review. They claim it was a mistake and an “isolated” incident. Their entire statement reads as follows:

BPI uses the DMCA process to request the removal of millions of links in search results to infringing sound recordings every year. We have no intention of ever trying to remove links to reviews or writing about music.  In this case, we regret that an isolated error occurred with the effect that we mistakenly asked for a few links to reviews to be removed.  Immediately on learning of the mistake, we asked Google to reinstate the links concerned and are undertaking a review of our processes to ensure this does not happen again. We apologise to all concerned for our mistake.

I don’t know. Part of me wants to give BPI the benefit of the doubt. The other part imagines them pointing the Death Star at Alderaan and deceitfully announcing, “You may fire when ready.”

• BPI: http://www.bpi.co.uk
• The Rap Up: http://therapup.net

Daughn Gibson is accidentally signed to Sub Pop (Sub Pop thought it was getting David Puddy)

Dream-country balladeer and ribbed cotton A-shirt spokesmodel Daughn “Don, Not Dawn” Gibson has up and signed a little old deal with that nice young label down the road called Sub Pop. Fans of either Gibson’s pretty good music or Tiny Mix Tapes’ pretty great writing will recall that Gibson just released All Hell the other month on the White Denim label. So why the sudden change? Rising fame? More money? Wider distribution? Naw, I think it’s probably just that white denim is a bad look for a cowboy.

Gibson’s Sub Pop debut is slated for some time next year. However, to consummate the deal, Gibson did go out of his way (or maybe he didn’t; what the hell do I know?) to sample his new labelmates in Shabazz Palaces and Tiny Vipers on a new track called “Reach into the Fire,” which is streaming below. He also expanded his currently-in-motion US tour, because “touring until it’s no fun anymore” is in his contract now.

Tourdates:

08.23.12 - Madison, WI - Majestic Theatre *
08.24.12 - Minneapolis, MN - First Ave *
08.25.12 - Omaha, NE - Slowdown *
08.26.12 - Denver, CO - Ogden *
08.27.12 - Salt Lake City, UT - In The Venue *
08.29.12 - Vancouver, British Columbia - Malkin Bowl *
08.30.12 - Seattle, WA - The Neptune *
08.31.12 - Portland, OR - Crystal Ballroom *
09.01.12 - Oakland, CA - Fox Theater *
09.02.12 - Los Angeles, CA - FYF FEST
09.05.12 - San Francisco, CA - Elbo Room
09.06.12 - Reno, NV - The Chapel Tavern
09.07.12 - Portland, OR - Music Fest Northwest ^
09.11.12 - Allentown, PA - The Sportsman’s Cafe #
10.29.12 - Chicago, IL - The Empty Bottle
10.31.12 - St. Louis, MO - Apop Records
11.01.12 - Lawrence, KS - Replay Lounge
11.03-04.12 - Austin, TX- Fun Fun Fun Fest
11.06.12 - Oxfort, MS - Lamar Lounge
11.07.12 - Atlanta, GA - The Earl !

* Yeasayer
^ Pains of Being Pure at Heart
# Merchandise
! Earth

• Daughn Gibson: http://www.daughngibson.com
• Sub Pop: http://www.subpop.com

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