Yes, it's true! _Death Sentence: PANDA!_'s tour begins _today_! Hitting up cities like _Bologna_ and _Basel_, this tour should be _yummylicious_. But despite how _yummylicious_ it'll be, it's expected to be _noisy_ too, because _Death Sentence: PANDA! sound like Melt Banana eating Teenage Jesus' liver!!_.
_Death Sentence: PANDA!'s_ latest album is _Insects Awaken_, which was released or is set to be released _September 29, 2008_ via _Upset the Rhythm_. The funny part? Well, did you know that _SOMETHING AWESOME WILL PROBABLY HAPPEN_?? HAHA!
Anyway, here are the tourdates for _Death Sentence: PANDA!_, which again, starts _today_ and hits up cities like _Bologna_ and _Basel_. Just don't be surprised if _SOMETHING AWESOME WILL PROBABLY HAPPEN_, like I said in the second paragraph!
@ Hawnay Troof & Awesome Color
I love Eluvium. If I had the space, this article would just read “I love Eluvium” over and over. Talk Amongt the Trees (TMT Review) might be my favorite ambient work, EVER, but quality does not drop to anything below great on any of his works.
So this little nugget of news is especially titillating to yours truly, as it has been announced that pretty much every piece of music Eluvium has ever put out will be released in a very special seven-disc set. Aptly named Life Through Bombardment, the set will be available in a very limited format: a one-time pressing of 1,000 copies on wonderful 100% virgin black vinyl. Also included will be a code for high-quality MP3s and some fantastic artwork by Jeannie Lynn Paske. Those hungering for this ambient treasure can find it through Eluvium’s label, Temporary Residence.
Life Through Bombardment tracklisting:
1. The Unfinished
2. Under The Water It Glowed
3. There Wasn't Anything
1. Zerthis Was A Shivering Human Image
2. I Am So Much More Me That You Are Perfectly You
1. An Accidental Memory
2. Genius And The Thieves
3. Perfect Neglect In A Field Of Statues
1. In A Sense
2. The Well-Meaning Professor
3. An Accidental Memory In The Case Of Death
1. New Animals From The Air
2. Show Us Our Homes
3. Area 41
1. Everything To Come
2. Calm Of The Cast-Light Cloud
2. We Say Goodbye To Ourselves
2. Swallows In The Bath
1. I Will Not Forget That I Have Forgotten
2. As I Drift Off
3. All The Sails
4. When I Live By The Garden And The Sea
1. Untitled (For Piano)
2. Untitled (For Orchestra)
3. Untitled (For Rhodes And Tape)
2. Indoor Swimming At The Space Station
3. Seeing You Off The Edges
1. Prelude For Time Feelers
2. Requiem On Frankfort Ave.
3. Radio Ballet
1. After Nature
2. Reciting The Airships
1. Hymn #1
2. Repose In Blue
Megachurches Speak Out Against the FCC’s Decision to Open White Space Up to Wireless Technology, But They’re Probably Just Confused by the FCC’s Baffling Use of Drug Metaphors
Long ago, when a pastor could deliver his or her words of fire and brimstone to a crowd of thousands of suburban SUV-drivers with clear and crisp confidence, no one dared to imagine that these portentous words would come to haunt the little ear mic thingies lodged in the auditory canals of preachers all over America: “Static, static, static, we’re on a video rage... This is the static age we live in.”
With the FCC’s approval of the Google- and Microsoft-backed plan to open unused portions of the airwaves to wireless devices once U.S. television broadcasts make the switch from analog to digital transmission in February 2009, Glenn Danzig’s song of shaky reception has become the rallying cry of a nation. Or the voice of a really weird amalgamation of lobbyists, including preachers from megachurches, Disney, Dolly Parton, and a few other groups that I will just assume are steamed by the deal, such as car salespeople announcing big blowout sales over their lot’s loudspeakers, boy bands that have fallen from glory and now perform for bored parents on their way to the Dippin’ Dots at mid-sized theme parks, and small-town new reporters demonstrating the art of grape-stomping.
Preachers, Dollywood employees, people dressed up as Sleeping Beauty at Disneyworld, and other really important people are speaking out against the FCC’s recent decision, because they fear that opening up the soon-to-be vacant airwaves to new wi-fi devices will interfere with the reception of wireless microphones used in sports and entertainment broadcasts. Religious groups are already expressing concern that such interference will cut into the budget to send their youth groups to witness spring-breakers at Myrtle Beach.
But leave it to the drug-addled, unstable FCC and wireless companies to endanger the most holy time of the week in their frenzy for their next convenient, wireless, cost-efficient high, as FCC commissioner Jonathan Adelstein explained, “Let's hope it's not just Wi-Fi on steroids but Wi-Fi on amphetamines."
Oh, why stop there, you godless technology companies? I want my wi-fi underage, hyped up on meth, and trespassing in the residents-only pool at Pinecrest Condominiums. Then I want it to put on a little lipstick and dance. But, most importantly, I want it to interrupt the mic feed for Dollywood Express.
Shortly before the wonderful world of mashups, groups like New Jersey's Dälek were really doing mashups. That is to say that Dälek's previous effects, such as 2005's doom-saturated brain-burner Absence, mashed disparate genres such as shoegaze, noise, and hip-hop into something entirely new, something that didn't quite fall in to both the aforementioned classifications or the contemporary definition of a mashup. Indeed, Dälek remain one of the most diverse hip-hop collectives in existence, and they're probably still the absolute loudest to boot.
So it's no surprise in knowing that the forthcoming Gutter Tactics, out January 27 on Mike Patton's Ipecac label, is probably packed with surprises. However, the production half of Dälek, okt0pus, recently offered up some hints, saying "Gutter Tactics is more about us continually doing some early hip-hop shit but with the attitude of the Melvins or Black Sabbath," so you can still expect the socio-political lyrics, headphone-decimating swells, and cavernous beats.
Two new tracks, "2012 (the Pillage)" and "No Question," are currently available at Dälek's MySpace page, showcasing a slight decrease in volume, but a more intense, haunting mood.
Gutter Tactics tracklisting:
Hey! It’s another story about a new wave-y post-punk kinda band reuniting! And this time it’s Ultravox!
They featured a psychotherapist on bass, appeared at Live Aid, wrote the 1981 hit "Vienna," and starred a debonair mustache-rockin' frontman before that guy from The Killers and that guy from Gogol Bordello were even a glimmer in the NME's eye. One of their members co-wrote and provided a little producing pizazz for the perennial Lite FM holiday favorite, "Do They Know It's Christmas?" by the 1984 all-star megagroup Band Aid. Their name originally had an exclamation point in it, which is commonly regarded as an indicator of exciting awesomeness.
I am talking, of course, about Ultravox, the new wave/post-punk group originally formed in the late 1970s, who are -- you guessed it -- now reunited and it feels so good.
Details are limited, but my trusted informant (the Ultravox website) has told me that all four members of the 1980s Ultravox -- psychotherapist Chris Cross, violin/keyboard enthusiast Billy Currie, lord of the drums Warren Cann, and the once bemoustached Midge Ure -- are joining their awesome powers for this most recent excursion on the nostalgia reunion train, set to make stops throughout Wales, Scotland, and England.
These will be the group's first live performances since 1985.
Music Writers Get Pink Slipped! Mr P Told Me To Tell Mango Starr, Nobodaddy, and Annapocalypse: You’re Fired. Finish Your News Stories And Pack It Up.
In this day and age, a Music Writer still can’t catch a fuckin’ break. The Daily Swarm (via Media Mob) is reporting that there have been layoffs at Entertainment Weekly, Time, People, and a bunch of other publications. These cuts are being issued by Time Inc., but I’ve been hearing the sad-sobs from just-out-of-college, living-on-the-verge-of-poverty-in-Brooklyn staffers from other publications as well. Apparently, the staffers getting the boot are given no warning or options and are being terminated on a “case-by-case basis.”
They also are reporting that Juke, founded by former dudes from Blender, Village Voice, and Nothing Feels Good, has been shutdown. That shit didn’t even launch yet. Apparently CBS Interactive is screwing things up. Craig Marks, formerly of Blender, was hired as the music editor for CNET. Well, CNET was bought by CBS Interactive for a buttload of money in May, and the two combined forces during the summer. Not only did they put the breaks on Juke, but they also then laid off Marks and others involved. What a bunch of Ds. Glad I’m making the big bucks at TMT!
Paul McCartney Plans to Release Unheard 14-minute Beatles Song, Maybe Get Married Another Time, Whatever’s Clever
Quite obviously in an effort to double his chances at making TMT’s Year-End List (his third LP collaborating with Orb/Killing Joke’s Youth as The Fireman also drops this week), the deliciously hammy Sir Paul McCartney has recently confirmed the existence of the legendary ‘lost’ Beatles freestyle/psych/noise track, “Carnival of Light” in an interview with BBC Radio 4. Cleverly side-stepping the abundant lameness of the song’s title, McCartney went on to explain that the 14-minute jam was recorded by the band in 1967 (during vocal sessions for “Penny Lane,” in fact) for an electronic music festival and was never officially released after its lone public debut. According to BBC News, McCartney pushed for the song to be included as part of those good ol’ The Beatles' 'Anthology' releases in the mid-’90s, but it was, you know, vehemently vetoed by the rest of the band on the grounds that it was, you know, way too embarrassing to the band’s legacy.
But damnit, you just can’t keep a scorned Beatle down, as McCartney is now once again alluding to its impending release. “The time has come for its moment,” said McCartney, summoning his best J.R.R. Tolkien rhetoric. And while he didn’t provide a timeframe for the song’s release or whether it would be included on a compilation or exist as a standalone song, the BBC has noted that "all he [McCartney] needs now is the blessing of Ringo Starr, Yoko Ono, and George Harrison's widow, Olivia."
As for the tune itself, it’s been described by George Martin as a good ol’ fashioned "jumble of shrieks and psychedelic effects" that "features the sound of gargled water and strangled shouts from [John] Lennon which vie with church organs and distorted guitar" (move over, Fuck Buttons). "I like it because it's The Beatles free, going off piste,” McCartney said of the illustrious jam. “I said all I want you to do is just wander around all the stuff, bang it, shout, play it, it doesn't need to make any sense. Hit a drum then wander on to the piano, hit a few notes, just wander around. So that's what we did and then put a bit of an echo on it. It's very free."
Okay, so I’m just going to go ahead and say it: that sounds fucking terrible.
Hey metro-children, you might not be aware of this, but Circuit City is still around. No shit, seriously. We have one in Athens. I kind of forgot about it until I accidentally found it after failing to find Gossip Girl on DVD at Target, Best Buy, and the mall (everywhere was sold out of it, so shut the fuck up and don’t make fun of me). It was a wasteland -- completely empty -- and I wondered, “I wonder if anyone even shops here?” Apparently not! Last week, Circuit City Stores Inc., “the nation’s second-biggest electronics retailer,” filed for bankruptcy protection. Under the Chapter 11 bankruptcy code, it means that credit-bitches can’t bug the shit out of them until they come up with a reorganization plan. I suggest using my plan, which is to fill up your mailbox so they can’t leave you voicemail.
The company plans to cut 700 or more jobs and close 20% of their stores (which amounts to about 155 stores in 28 or so states). Oh, and layoff thousands of workers, amounting to over 7,000 people getting FUCKED. Circuit City had only one profitable quarter in the past year, thanks to being pile-drived by Best Buy Co. “and others.” Who are the “and others?” An intern where I work mentioned some place called “Fry’s.” I don’t know what that is.
Circuit City stock shares have also been trading for under a buck, but, like, that’s not saying much since the stock market is total balls. Anyway, check your local Circuit City; I bet they are having some pimp sales.
For the past two Decembers, The Wu-Tang Clan’s high-pitched utility man Ghostface Killah has released new records, starting with the immaculate Fishscale (TMT Review) in 2006 and 2007’s dope-to-the-bone The Big Doe Rehab (TMT Review). HOLD UP, wait a damn minute here! We only gave Fishscale three blue orbs? Damn, Gumshoe, you are cold blooded! Once my hangover wears off and I strap on some reading pants, I’ma gonna peruse this thousand-word treatise on why Fishscale apparently ain’t the masterpiece it really is. But thanks for giving me a goal for the day, Gumshoe! I wasn’t even planning to put on any pants!
Apologies for the digression. Anyway, Ghostface’s predilection for December drops has been as dependable as a Ford truck, and with his new record GhostDeni the Great set for release] December 16, Ghost just got upgraded to Chevy. Though technically a compilation of classic tracks from the past few years, GhostDeni contains a couple of new songs, like “Ghostface Christmas” and “Slept on Tony.” Along with the new tracks, GhostDeni features a smattering of remixes, including new versions of "Be Easy" featuring Ice Cube and "Kilo" with Raekwon and Pusha T. The new record will be available as either a single CD or along with a DVD documentary about Ghost’s Hip Hop Live tour.
Why do birds suddenly appear whenever digital download/vinyl bundle packages are near? Insound reports actual good news in the record industry, opportunity to buy totebags!
In what must surely be a herald to the approaching golden age of American life and stuff -- projected by Nostradamus and a large portion of liberal pundits to occur sometime between November 4, 2008 and January 20, 2009 -- there is actually good news coming from the usual total downersville known as the record industry. And it comes in the form of one of the most love stories of our time: that of MP3 album downloads and vinyl sales, together and better than ever.
Over the past year, vinyl LP sales have been on the rise, and online retailer Insound in particular has benefited. Insound co-founder Matt Wishnow recently told Billboard, "The percentage increase over the last 12-18 months in vinyl sales has been dramatic -- close to 100%. Our gross margins and pricing model for vinyl are the exact same as that for CDs. However, there is one major difference and that is the elasticity of that margin. We don't discount vinyl often because consumers believe that vinyl is worth the suggested price."
It's nice to see a music retailer doing well, and of course it's awesome to see sales figures helping out the careers of our friends Fleet Foxes and Iron & Wine. But wait, there's more! Everybody likes hearing good news, but when this good news benefits you yourself, then it's AWESOME NEWS! And that's what's up next: awesome news. See, when Insound started offering simultaneous MP3 download/vinyl purchase bundles, not too many indie labels were down. But now, online shoppers can expect to find almost 500 titles available from the likes of Sub Pop and Matador, which are providing loads of titles from the two aforementioned bands, as well as The Shins, Mogwai, Wolf Parade, Band of Horses, Flight of the Conchords, and The Postal Service.
It gets better: in 2009, you'll be able to get MP3 downloads with more than just vinyl. Yes! You'll be able to get digital download bundles alongside such exciting and possibly earth-friendly physical products such as tote bags! t-shirts! super dreamy band posters! and more, all within roughly $20.
These packages are possible through what Billboard calls more "lenient royalty deals." According to Wishnow, many of Insound's indie label partners work with artists who "control their own publishing or who have progressive publishers." This allows the online retailer to pay mechanical royalties only once for the download/physical bundles, and helps you, the Flight of the Conchords obsessive, to purchase every single imaginable tie-in and format of music -- all for one low, low price.