Little known fact kids, Terry Gilliam was J.K. Rowling’s first choice for directing Harry Potter and the Sorcerer’s Stone back in 2000. As we all know, Christopher Columbus was picked for the job. And according to Gilliam, those versions were “just dull; pedestrian.” Most people would curl and die after being passed over for a job like that. One of the most successful film series to date and the execs say, “No, we want some fifteenth century explorer. Not one of the funniest British minds ever.” The thing is, dig, Gilliam was born in America, and you know what that means? He wasn’t born a quitter. The boy has resilience! He bleeds red, white and blue! Though he did denounce his U.S. citizenship in 2006. Whatever.
Wait, this is about Gorillaz. Yeah, so Gorillaz are done making studio albums. Instead they are making a movie for which they will write the score. Now it has been rumored that Terry Gilliam is on ship with the boyz to make this movie happen. With that said, we can only assume that Gilliam has acquired the rights to the next Harry Potter film, Harry Potter and the Half Blood Prince.
The list of characters is incomplete as of now, but there are a few obvious choices. Firstly, Murdoc is going to play Professor Snape. The boy is creepy. I mean he’s a member of Gorillaz, so at the end of the day, he is a good guy, but with his drug addictions and what not, we can’t wholeheartedly trust him. And we all know how slippery Snape can be. It’s a perfect match. Also, Murdoc claims to have lost his virginity at age nine. Creepy. 2D, the band’s lead vocalist, would most likely play the lead of Harry Potter. He is, after all, the band’s official pretty boy. And, like Harry, has marks on his face that have gained him recognition. Noodle, the only girl in the band, gets to be Hermione by default. Russel, the overgrown drummer, will play Hagrid. This move is done more for his size than any other reason.
Neither Gilliam nor the members of Gorillaz could be reached for comment on their newest endeavor, but Damon Albarn, one of the men closely connected with Gorillaz had this to say: “We're trying to make a film next, starting in September hopefully. It will be a film score. There won't be another pop record. When we made the first Gorillaz record, we had no idea it was going to be a pop record. You don't make records with that in mind. They become that if the public love them.”
Okay, well that quote had nothing to do with the potential of Gilliam directing the newest Harry Potter flick, nor did it have anything to do with the potential of 2D playing the role of Harry Potter. Thanks a lot Albarn. “Ring, Ring” “Hello?” “Oh hey, Albarn, it’s for you. Blur called, they said you peaked eight years ago.”
With such a derivative name as To Live and Shave in L.A., it's fitting that the group was founded by a dude named Tom Smith. The band name comes from a Ron Jeremy porno parody of neo-noir film To Live and Die in L.A., and according to Smith's philosophy of "PRE," To Live and Shave L.A., offshoot band To Live and Shave in L.A. 2, Ron Jeremy's To Live and Shave in L.A., and the 1985 feature film To Live and Die in L.A. all consist of the same, equally essential energy. Says their Wikipedia entry:
In a Blastitude interview, Smith said that he created the band to develop the idea of PRE in contrast to what he called the wrong idea of "POST" (compare with the genre term "post-rock," coined by music critic Simon Reynolds), which he derides as the fallacy of an "errant supposition that spiffed-up or newly hatched movements supplant others fit for retirement." In other words, Smith sees all genres and movements as being part of the same essential energy and movement, and equally valid—as opposed to a Platonic or historical hierarchy structure—mirroring Friedrich Nietzsche's rejection of the progressive in favor of an Eternal Recurrence of the Same. (Alternatively, Smith, who as of 2005 was pursuing a Master's degree in Ethics, has been quoted as having "serious problems with Martin Heidegger's aesthetics," preferring the social pragmatism of George Herbert Mead and the bold progressivism of John Stuart Mill.) Smith first wrote of "PRE" in a 1980 issue of short-lived Athens, Georgia fanzine Hot Java.
Dada dada dada dada!!! Okay, shuddup, TLASILA quiz time:
TRUE OR FALSE
1. Tom Smith is in love with Grindhouse's Zoë Bell
2. Jamie Stewart of Xiu Xiu rejected TLASILA's remix of The Air Force because it was "too creepy"
3. TLASILA is releasing a 7xCD3 box for Melted Matchbox
4. Billy Corgan teabagged Bill Maher's face
5. Tom Smith has made up with Weasel Walter and supports the release of TLASILA2 material
6. Rat Bastard invented the Rat distortion pedal
7. Thurston Moore plays on last year's Noon and Eternity (TMT Review)
8. Who is NOT featured in the upcoming tour lineup?
A. Chris Grier
B. Graham Moore
C. Don Fleming
D. Weasel Walter
E. Rat Bastard
F. Ben Wolcott
9. Who makes the best butterscotch cookies?
A. Maria Sharapova
B. Tom Smith
C. Phil Elverum
D. Lewis Pardun
E. Tike All Mompsen
10. Which TLASILA album below is NOT being released on Savage Land?
A. Les Tricoteuses
B. Clap Your Hands Say Jergens, Natural Glow Firming Moisturizer
C. Commmiinnggg! and Practis'd the Black Art
D. A collaboration with Kevin Drumm
11. Which day is missing from Tom Smith's calendar?
A. March 12
B. December 19
C. April 1
D. February 12
True of False: (1) T (2) F (3) T (4) T (5) T (6) F (7) T
Multiple Choice: (8) D (9) D (10) B (11) C -- nobody fools Tom Smith
XL Recordings announced this week that everyone’s favorite mountain man will grace us with a new album in the near future. Note: I really hope he’s recording in Woodstock again, because it’s close to me and I will stalk him. And by stalk him, I mean not stalk him. Obviously.
No title yet, but the support staff can’t be beat: Andy Cabic of Devendra’s touring band Vetiver, Joanna Newsom’s bro Pete, and Luckey Remington of the Pleased, to name a few, who may or may not be growing larger beards of happiness during this endeavor.
It’s that time of year again, kids, when stuff happens. It always seems to take place right before the money from tours come in and when rent is due. But Costello is re-releasing some stuff. Don’t get me wrong; I’m not exactly calling these potboilers. It’s just what’s the point? But fear not, for that question among two or three others will not go unanswered. The King, Elvis himself, is with me.
Petya: What exactly is being released?
Elvis: The Best of Elvis Costello: The First 10 Years and Rock and Roll Music. Also, we are releasing my first 11 albums digitally.
Petya: Ew, bringin’ it back to binary I see.
Petya: What is the point of reissuing these shits, my man?
Elvis: It wasn’t really my initiative.
Petya: Yeah, whatever. Blame it on the Universal Music Group.
Elvis: Okay, I will.
Petya: What if I say I don’t want to buy any of these rehashed, gilded bits of history?
Elvis: There's no compulsion to buy these records. If they interest you, you'll buy them. The fact that they're going to be available (digitally) makes people's ability to buy them in excerpts easier, because people tend to do that these days when they're online -- if they haven't stolen them already.
Petya: Ew, in my face. Psh.
Well, that’s all the quotes I could round up from Billboard.com. Seriously, though, while Elvis Costello is doing well (including a ten-day tour starting May 2 in California), there are plenty of other Elvises who have been blowing it lately. For example, Elvis Presley is super-dead. Elvis Grbac? The boy gets constant boos in Baltimore, and after he tore his vagina or something, people starting yelling, “Elvis has left the building.” Bringing up the rear is Elvis Stojka. He used to be a decent figure skater, but now he’s retired. Wait, a figure skater? Yeah, he sucks. Moral of the story: support Elvis Costello before we run out of a reputable Elvis to cheer for.
One could draw a line graph representing level of cool on the Spiderman 3 soundtrack; jumping off the charts with artists like Black Mountain and The Walkmen and hitting the ground with Jet. But I digress. While many would feel that allowing Snow Patrol to compose a movie theme (or produce any new material whatsoever) is not a wise choice, The Flaming Lips kinda make up for it by throwing down their new Spiderman-inspired track, "The Supreme Being Teaches Spider-Man How to Be in Love." However, it used to be called “Spiderman vs. Muhammad Ali.” Personally, I’d love to see the Lips write an entire album of imaginary face-offs. “Anderson Cooper vs. Bill O’Reilly”! “Fall Out Boy vs. The Black Lips Resulting in Many Busted Lips for Fall Out Boy”!
The “indie-leaning” (thanks, MTV) comp also includes the likes of Rogue Wave, Wolfmother, Wasted Youth Orchestra, Chubby Checker (!?), and uh, The Killers -- who probably don’t live up to their name at all and would definitely get their asses whooped by The Flaming Lips.
Yours to mock/appreciate May 1 on The Record Collection, three whole days before the film release.
1. Snow Patrol - "Signal Fire"
2. The Killers - "Move Away"
3. Yeah Yeah Yeahs - "Sealings"
4. Wolfmother - "Pleased to Meet You"
5. The Walkmen - "Red River"
6. Black Mountain - "Stay Free"
7. The Flaming Lips - "The Supreme Being Teaches Spider-Man How to Be in Love"
8. Simon Dawes - "Scared of Myself"
9. Chubby Checker - "The Twist"
10. Rogue Wave - "Sight Lines"
11. Coconut Records - "Summer Day"
12. Jet - "Falling Star"
13. Sounds Under Radio - "Portrait of a Summer Thief"
14. Wasted Youth Orchestra - "A Letter to St. Jude"
15. The Oohlas - "Small Parts
Google Still Plans to Implement YouTube Filter That Will Add Technicolor Effect to All Videos; Industry Can’t Wait
On Monday at the National Association of Broadcasters conference in Las Vegas, Google CEO Eric Schmidt said, "We are very close to turning this on." He's referring to Claim Your Content, the new name for Google's YouTube filtering system that would supposedly cut out your favorite music videos (and TV shows and movies, etc.). But how does it work? Will the burden be placed on the content uploaders or the content owners? With little details revealed in Las Vegas, Schmidt left the industry -- particularly the media conglomerates -- confused.
A little more to the mystery was revealed yesterday at a keynote discussion at the Web 2.0 Expo in San Francisco. Schmidt explained further: "Under law, the copyright owner has to monitor what’s going on your sites. So we’re automating that process.” To the dismay of content owners, it's appearing that the "filtering" system may continue placing the burden on the media conglomerates to find and remove copyrighted material, a currently non-automated shitball that has already prompted a $1 billion lawsuit from lovable, friendly giant Viacom.
It's been roughly four months since an announcement was made to filter out copyrighted content from YouTube, and media companies are increasingly frustrated with what some call Google's "stalling tactics." But hey, Google's busy selling ads on all of the radio stations owned by Clear Channel Communications and acquiring ad-serving software DoubleClick for $3.1 billion. Can you blame them? And the traffic at YouTube is skyrocketing!! Besides, the filter couldn't possibly work good enough to please the media companies. Could it? Gotta please the media companies!! Sigh.
'Scuse me while I iron some wrinkles.
It's just not fair. On June 12, a brand-new double-disc edition of Sonic Youth's 1988 Daydream Nation will be released in all fine record shops nationwide. Which means that I'll have one more deluxe Sonic Youth album to gaze at longingly, trying to convince myself that spending around $93 for an album I already own is, in fact, wiser than wise, which, by the way, is simply not possible. Adding insult to injury, and racial slur to insult, a four (4) LP set will also be issued by the band's own Goofin' Records. I only pray that Warren Buffett will appreciate a newly-remastered "Providence" as much as I would.
The bonuses on this one look nice, but I do have one gripe that shall extend to all multiple-disc reissues: why (oh why) stick one extra track at the end of the disc containing the original album, an album that is presumably a "watershed moment in music history"? Remember the end of "Eliminator Jr."? Are the last few seconds of that song something we want to follow up with a home demo? Maybe if there's still enough room left, they could squeeze in a few seconds of Lee Ranaldo clipping his toenails?
Disc two is largely a collection of live tracks pulled from various performances during the "Daydream Nation" tour. It contains live versions of every Daydream track but mixes up the order to disorient and dismay you. The final four tracks are studio covers that have long collected dust in ill-fated tribute albums of years past. I think the least Geffen can do for my having written this news item is to send me a copy of the reissue and a lock of Thurston's hair. He won't miss it.
Disc 1: Original Album
Fridge Are So Smart! Fridge Are So Smart! S-M-R-T! I Mean, S-M-A-R-T… (When in doubt, steal an idea for a news title from The Simpsons)
Intellectual giftedness is something that carries with it a funny little burden. Those possessing it in abundance often squander it. Stories of the absent-minded professor or the lonely genius or smarties cracking under pressure are common (and hilarious for us lesser-thans). Conversely, I started out with none and still have most of it and I managed to write this story y'all are reading right now all by myself! Yeah, I know, that's not really comforting, is it? Thankfully we don't have to rely on Tiny Mix Tapes writers for instruction, illumination, and inspiration; some eggheads to come through in the crunch with the goods that we have come to expect from them. For example, if it's well-adjusted musical brains you're looking for, you could no worse than checking out the three members of Fridge.
Adem Ilhan? A Mensa candidate if there ever was one. Kieren Hebden? His cleverness fully ferments meat without the need for oxygen. Sam Jeffers? Would it surprise you to learn that he has figured out the true origin of the universe and that it has nothing to do with random chance or intelligent design (heres a hint: it involves a man, a can, and a plan!)? Who the hell do these smart-arses, these braincases (...these princes of Maine, these Kings of New England...) think they are? As if living with having an embarrassment of riches in the smarts and skills departments isn't enough, now comes word that the three will once again join together as Fridge, the band they played in prior to their respective individual success stories: Ilhan in Adem solo guise, Hebden as Four Tet, and Jeffers working in web design, playing politics, composing soundtracks, touring and session drumming, and presumably doing a few more things popular with polymaths.
Good things do indeed come to those who wait, but let us hope that the things that come are not just the things left over from before (although we would probably be okay with old Fridge toss-off tracks too, if that was the case). The Sun will be Fridge's fifth album -- their first in six years -- and will be released on Temporary Residence, Ltd. June 26 (on Hebden's Text Records in the UK, Domino in Europe). August promises a Four Tet/Sunburned Hand of the Man collaboration called Fire Escape, but if you want to prove to everyone that you know your ass from your elbow, look first toward The Sun in June.
1. The Sun
3. Our Place in This
4. Drums of Life
9. Lost Time
10. Years and Years and Years
As reported in March, the new royalty regulations created by the U.S. Copyright Royalty Board (CRB), in which internet radio rates will dramatically increase 149% over the 1999-2005 period, pissed off NPR. "These new rates, at least 20 times more than what stations have paid in the past, treat us as if we were commercial radio — although by its nature, public radio cannot increase revenue from more listeners or more content, the factors that set this new rate," said NPR's Andi Sporkin.
Since then, the internet royalty hike has generated dissent aplenty. The Digital Media Association (DiMA), Intercollegiate Broadcasting System, Inc., Small Commercial Webcasters, and National Public Radio (NPR) used their pull on March 20 to get an order to allow motions for a rehearing. It seemed at least somewhat hopeful that the CRB would reconsider the rates that will, among other things, bankrupt small-time internet radio stations, cripple independent artists, homogenize internet radio, and of course piss off TMT.
But to the dismay of radio peeps and humans all over, the CRB yesterday officially denied motions for a rehearing (read the PDF here): "Having reviewed all motions, responses to those motions, and written arguments, the Judges now deny all such motions," stated the five-page document. "We find, however, that none of the moving parties have made a sufficient showing of new evidence or a clear error or manifest injustice that would warrant a rehearing."
While organizations that represent major recording labels and artists, like SoundExchange, applauded the CRB's denial, various stations and artists effectively said "fuck off" by announcing yesterday a new group called SaveNetRadio, a group committed to fighting the rates. Although SaveNetRadio's member list has not been revealed, it received public support from organizations like Live365 and Pandora.
"Before this ruling was handed down, the vast majority of webcasters were barely making ends meet as internet radio advertising revenue is just beginning to develop," said the group in a statement. "Without a doubt, most internet radio services will go bankrupt and cease webcasting if this royalty rate is not reversed by the Congress, and webcasters' demise will mean a great loss of creative and diverse radio." Various humans at my local record shop had this to add: "Fuck the CRB."
And for your reference, check out the new rates established by the CRB (from Live365):
Before Tim Armstrong (Rancid) collaborated with diarrhea like Pink, Gwen Stefani, and Kelly Osbourne, he was actually pretty cool when he played in the ska punk Bay Area group Operation Ivy in the late '80s. Op Ivy was the shit back then, and after all these years, they still have a strong cult following. I was never cool/dumb enough to sport a mohawk, but I did memorize just about every song on Op Ivy's Energy LP. Plus, one time I played "Bombshell" for this cute girl in my German class, and I swear her left boob touched my elbow when the bell rang. Accident? Fucking doubt it!!
Energy was released on Lookout! back in May 1989. Not only was it the same month Sweet Children performed as "Green Day" for the first time, but it was the same month Operation Ivy broke up. Still, the album went on its own legacy, selling like hot cakes for years. But since Lookout! managed money like my uncle Brent (he sucked at managing money), Energy was pulled from their catalog in 2006 and has since been out-of-print.
But on May 1, Rancid Records will be reissuing the record (this is, what, the fourth reissue or so now?), completely remastered with a digipak case. It'll feature all 19 tracks from the original album, plus bonus music that was released in several other reissues, including the band's Hectic EP. No reunion is in sight (thank god), but you can bet your Girbaud jeans that left boobs the world over will be reuniting over this shit, possibly squirting milk out of them by now -- who knows, right? Life is so weird and awesome.