“Working Man’s Dub”
Boasting a list of associated acts that couldn’t be more essential in totting up some of the gravest and the most daring electronic musicians of recent years, Nottingham’s RAMMEL CLUB has worked with the fine likes of Aaron Dilloway, Prurient, and Kevin Drumm in making a name for itself as a proprietor of “visionary global music” across the East Midlands. In late 2012, the club became aligned with the not-so-fresh-faced micro-label Feral Tapes, which has already taken a page out of its reputable affiliate’s book and issued offerings by Ekoplekz and Roro Perrot.
Once every so often, an understated, low-key recording will make a marked and lasting impression on its audience. The latest Ekoplekz offering fast emerged as one of my favorite cassette releases of last year, despite the unmapped domain through which it has been made available, or perhaps even as a consequence of it. Described by Feral as a “diseased split,” it features five scrunched-up and contorted industrial dub tracks by Nick Edwards under his Ekoplekz moniker. It also features a congealed, 17-minute dub and noise contortion in the guise of a forbidding homage to Italian experimental pioneer Maurizio Bianchi — that track is also performed by Edwards operating under the cloak of his Ensemble Skalectrik project. It is an exceptional effort and a seeming masterstroke by the fledgling label in putting out something so exceptional as an initiatory work. Listen to “Working Man’s Dub” here:
“Gold On My Macbook Freestyle”
“I’m the greatest rapper alive up in my mind, I guess.” This may just be the defining quote between who can release music on a monthly or yearly basis, and someone like Stephen Redhead, who has more of an inconsistent release schedule, releasing tracks on the level of “Gold On My Macbook Freestyle.” Yes, this is Readhead freestyling over that mixtape track “Gold On My Macbook” by Trinidad James. And not to throw shade, since it’s January and that shit would be COLD, but Redhead’s track reminds me of riding in my car, trying to rap to whatever beat is playing on my stereo. Which is neat, in a way that Redhead had (maybe) no intention of referencing.
But “Gold On My Macbook Freestyle” is probably a good sense of what you may be receiving in the new year. Y’all can purchase his single “White Talk” now. And as his email to me said, “Expect very interesting things from this artist in the months to come.” I mean, at least he’s not telling you he’s rare or his shit is a collector’s item, right? Respect to that!
• Redhead: http://redhead.bandcamp.com
“Ball So Hard” / “Trippy 13’ (High Out Yo Mind)”
DJ Earl (#TEKLIFE practitioner and Traxman collaborator) is set to drop a new album, Audio Fixx 2, the follow-up to last year’s Audio Fixx (which was lovingly written up by TMT in-patient C Monster). Earl has already released two previews from the album: “Trippy 13’ (High Out Yo Mind),” which continues the TEKLIFE vibe with a minor-key battle feel, and “Ball So Hard,” a harder, club-ready juke joint. Both are classic Earl, but the subtle twist that happens roughly halfway through “Ball So Hard” is cold as fukk.
“Ball So Hard”:
“Trippy 13’ (High Out Yo Mind)”:
Look for Audio Fixx 2 on March 19.
• DJ Earl: http://soundcloud.com/djearlteckz
Ninguém É Como Tu - Reworks
In his recent interview with Maria Minerva, Ze Pequeno divulged a justifiable inkling that Lisbon, Praça dos Restauradores in particular, is becoming the new Berlin, a continental hub of creative energy that pulls and pushes impending talent in a range of fervent, unrestrained directions. With a sudden flurry of musicians swinging by Portugal to record albums and write fresh material, combined with a blossoming collective of local practitioners crafting reputations for themselves as resolute, enterprising producers, it came as little surprise to stumble across projects such as Branches, lingering discreetly under the surface in the country’s second city, Porto.
Pedro Rios has been dropping experimental soundscapes for Solid Melts and UUU Tapes (RIP) over the course of the past six years, with his latest solo outing, Ninguém É Como Tu, hitting virtual shelves in January 2012 and consequentially landing him a spot on microphonesinthetrees’ top cassette releases of the year.
More recently, Rios uploaded Ninguém É Como Tu - reworks for free on his Bandcamp. The album features a slew of equally intriguing Portuguese artists and their interpretations of Branches’ irresistible New Age electronic jams, making this a quintessential release for coming to terms with what is happening on the Iberian peninsula right now. It seems Ze Pequeno was onto something.
Starting the new year right with a hectic, get-off-your-ass 25-minute mix of new material, it seems our pal Mr. Pablo Diaz-Reixa finally moved off the beach and into the city. This dude’s been pulling club beats out of his special blend of tropixotica samples since 2008’s Alegranza, only this time around he’s replaced all of those steel drums and auxiliary percussion pieces with some serious trance grooves and heavy bass beats, all the while keeping those hints of Spanish-language samples in tact. Let’s hope this is a sign of more to come this year.
Stream the mix over at the cleverly URL’d tranc.es.
• El Guincho: http://www.elguincho.com
“秋のシルエット『 انتہائی شدی』”
肉人形✰MEATDOLL has been periodically releasing tracks via SoundCloud for over a year now, most of which appropriate pop tunes wholesale with creepy effects added to amp up the nightmare factor. His/her latest track, “秋のシルエット『 انتہائی شدی』,” is no exception. The source material is non-Western (of course) pop, but here it’s pitched-up and effected to create an unsettling warbling effect. And the pop element doesn’t make the song go down any easier. In fact, it’s this very Lynchian juxtaposition that’s most disorienting: your ear wants to hear the song a certain way, but 肉人形✰MEATDOLL refuses to let the original do any of the talking, despite preserving most of the track. Couple the music with the highly sexual, fetishistic, violent, and disturbing imagery, and you’re left with nothing to talk about at the dinner table.
I highly recommend listening to the rest of 肉人形✰MEATDOLL’s music at his/her SoundCloud. But be warned: the imagery is NSFW.
• 肉人形✰MEATDOLL (NSFW): http://nymphoworm.tumblr.com