Crouching Tiger Hidden Mykki (Blanco) continues Illuminati Prince/ss reign on new track, announces upcoming mixtape and debut full-length

Crouching Tiger Hidden Mykki (Blanco) continues Illuminati Prince/ss reign on new track, announces upcoming mixtape and debut full-length

What’s that rustle behind you? It’s probably nothing, right? Just the wind. WRONG. So wrong. So wrong that you’re deader than dead now. Laid low at the hands of CROUCHING TIGER HIDDEN MYKKI. You probably thought to yourself, “Surely I’m safe from any run-ins during this winter holiday. I’ll just relax a little, have a drink, take some time off work…” and BAM. Now you spend your time not exactly thinking, more like floating endlessly in the cosmic void of time. What’s it like getting slain by The Illuminati Prince/ss? Wait, don’t tell me. I want it to be a surprise.

Dummy’s got the cold hard details on just how Queen Mykki took you out if you want or need a refresher. She came out booming one new track, “Booty Bamboo,” featuring some production help from Amnesia Scanner (a first time slammer with the Blanco crew). For a second you were all like, “Cool, yeah, I think I can handle this,” when CTHM kicked it up another notch and your head basically popped right off. There’s a new mixtape and debut album both scheduled for 2014. The mixtape’s a sequel, Cosmic Angel II: Let Big Sister Teach You, and the full length’s called Michael. That’s right, 2014 just got upgraded from “mostly acceptable” to “potential candidate for best year ever.”

And, in case you were unsure whether or not Blanco gave any sum of fucks about anything other than crouching, hiding, and blasting unsuspecting folks right up the sides of their heads, you should scope the note that originally accompanied “Booty Bamboo” on SoundCloud (it’s since been deleted):

Will hip hop ever accept me? Who gives a fuck. Will the gay community turn their back on me if I stop dressing in drag? Who gives a fuck. Will I get signed? Who gives a fuck. I did a world tour off the strength of soundcloud singles, a lo-fi mixtape and my first EP. I was out there, I saw the power of music and saw the power of love and now I just want to develop my music and have fun. People who fuck with Mykki Blanco fuck with Mykki Blanco no image or politics needed.

• Mykki Blanco:

Dean Blunt uploads footage of next Hype Williams album and a Redeemer outtake, severs ties with Hippos in Tanks

Over the extended holiday season Dean Blunt has been uploading, removing, and reshuffling all types of material to the “cplnd” SoundCloud, all of it involving Joanne Robertson to some degree. On “Love Me Thru This” and “DEF freestyle” she’s a soothing background heartbeat to Blunt’s brooding synth headaches, but the real Xmas cracker is “50 CENT”’s tag-team lyrical dosey doe, apparently a “lost tape” meant for The Redeemer (TMT Review). Robertson also goes it alone on the Blunt-produced “X” single.

ALSO of interest is the just-uploaded video “[1080 HD] 2014” that again mentions A Bullet In Yr Eye, Throwin Money 2 Tha Sky, the presumed title of the next Hype Williams release:

[Update: video’s gone.]

Whoever ends up being involved in the sounds of that album (certainly feels more “Hype Williams” than his current solo output), its release will definitely not be handled by the group’s (fairly) long-time label Hippos in Tanks, as Blunt outlined in an emailed statement yesterday: “There will be no mo future Dean Blunt projects released with the label Hippos in Tanks.” No word on who did what or why.

2014! It’s a new year!

• Dean Blunt:

[Photo: Nata Moraru]

RIP: Benjamin Curtis of School of Seven Bells, Secret Machines, Tripping Daisy

From The Dallas Observer:

We here at DC9 at Night are extremely saddened to report the passing of Benjamin Curtis. Last night in New York, Curtis lost a year-long battle with cancer at the age of 35.

Though a native Oklahoman, Curtis was a Dallas resident and treasured member of the local music scene from the ’90s well into the 2000s. In the mid-’90s, Curtis and his brother Brandon were members of local rock outfit UFOFU with Joe Butcher, before Ben left to spend a few years playing drums for Tripping Daisy. In 2000, the Curtis brothers started the spacey three-piece Secret Machines. Their debut full-length project, 2004’s Now Here Is Nowhere, broke nationally to much critical acclaim. It will long be remembered as a Dallas classic. […]

• School of Seven Bells:

RIP: Zbigniew Karkowski, noise musician

From SPIN:

Zbigniew Karkowski, a Polish experimental musician whose work amplified the boundaries of noise music — and also its volume — died today, according to his friend and collaborator Anton Lukoszevieze. He had been diagnosed with pancreatic cancer just 10 weeks ago. He was 55.

Karkowki was regarded in experimental-music circles as one of noise music’s most fearlessly extreme practitioners. Stories circulate that his music once cracked a toilet at San Francisco’s Bloody Angle Compound studios; a 2001 performance at Montreal’s FCMM, playing needle-nosed sine waves tuned to the resonant frequency of the room, sparked a fire in a speaker and sent chunks of the ceiling tumbling to the floor. But he was also known as one of noise music’s most contemplative thinkers. (When a reporter asked him if he was afraid of damaging his hearing, following the FCMM performance, he replied, “Sound is like a wild animal; it will only hurt you if you are afraid of it.”)

• Zbigniew Karkowski:

RIP: Akifumi Nakajima a.k.a. Aube, experimental musician

From experimental musician Eric Lanzillotta’s post on I Love Music (via The Stranger’s Line Out blog:

I have gotten the sad news that my old friend Akifumi Nakajima passed away in September. It seems the news is only just creeping out and took a while to reach everyone outside of Japan. Nakajima was probably best known for his work under the name Aube, which was one of the more prolific, and for me most interesting, noise acts from Japan in the 1990s. He had an impeccable sense of design and appreciation for the materials, taking packaging beyond just using regular old paper. His label G.R.O.S.S. presented an impressive selection of international artists and was an important part of the Anomalous Records catalog. I could really go on and on about his achievements and biography, but I think it is well documented online.

I would just like to add that I always appreciated his support and friendship, and greatly respected his honestly and commitment to quality. In 2004, I spent two weeks in Japan. Eight of those days were in Kyoto and I saw Akifumi almost every day. Seeing the temples and shrines, as well as record stores I would have never found on my own, with him gave the city much more depth than I would have found there on my own. It is heartening to know that he has left a vast recorded legacy for people to appreciate, but sad to lose such a good soul.

In memory of him, I want to share the recording of our one live performance together:
This is a little different than the noise music some may associate with him, and I suppose points forward towards the analog electronic revival that started to appear not long after this concert.

Unfortunately, this also comes in a wave of other deaths in the experimental community as albrecht/D., Bernard Parmegiani and Sten Hanson have also left this world. All three had long and productive careers. These are just more reasons to appreciate those that are still with us!

• Aube:

RIP: Stan Tracey, jazz pianist and composer

From The Guardian:

Stan Tracey, the jazz pianist and composer hailed as the godfather of British jazz, has died aged 86.

Tracey was perhaps best known for Under Milk Wood, his 1968 suite based around Dylan Thomas’ radio play. His pioneering work helped British jazz forge its own sound rather than imitate the sounds coming over from the US. In particular, Tracey persuaded many British jazz musicians to move away from cover versions in favour of developing their own original material.

The news was announced on the official Stan Tracey Appreciation Facebook Page in a post that read: “It is with deepest regret that I must announce the death of Stan Tracey OBE, CBE today, at the age of 86. After a struggle with illness, he passed away having recently celebrated his 70 year professional career as a jazz pianist/composer. He is survived by a family who love him, and will miss him profoundly. His legacy is the generations of musicians young and old, past and future who have his influential example to look to. Many thanks to all those who have shown him such love and support over these many years.”

• Stan Tracey:

[Photo: William Ellis]


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