1980: Robert Fripp - God Save the Queen/Under Heavy Manners

In the whole tiresome CDs vs vinyl debate, there is one big advantage CDs have that hasn't been brought up: keeping all of the music on one side of a disc discourages the creation of ridiculous ‘split concept’ albums. Case in point, this 1980 release from King Crimson guitarist Robert Fripp is a split LP comprised of God Save the Queen on one side and Under Heavy Manners on the other, an unnatural pairing that never coheres into a satisfying listening experience.

God Save the Queen features Fripp playing his guitar through his standard Frippertronics setup. For those unfamiliar with Frippertronics, it consists of two tape recorders linked together to create delay effects, as the tape from one recorder is passed to the next. Utilizing this system, God Save The Queen is a meandering, spacey work, wherein various tones slide through the music and overlap each other. It's not bad.

Under Heavy Manners, on the other hand, is all about rhythm. Utilizing what Fripp calls Discotronics (I'm not kidding), a minimalist guitar part is repeated ad infinitum and overdubbed with funky bass and unfaltering drumming. To top it off, David Byrne (credited as Absalm el Habib) recites a list of words featuring the -ism suffix and some other seemingly nonsensical phrases. This is also not bad.

So what's the problem? Well, while each side is enjoyable, they are so dissimilar that one individual is unlikely to enjoy them both. Moreover, even if a person liked the two sides, they probably wouldn't be in the mood to listen to them back-to-back, because they cancel each other out: the amorphous tones of God Save the Queen spoil the excitement of Under Heavy Manners, and Under Heavy Manners is probably too intense for those in the mood for the meditative sounds of God Save the Queen.

Fripp has explored all of the musical concepts on display on this LP more fully elsewhere, so it is hardly essential listening. That being said, the collaboration with David Byrne is interesting, and God Save the Queen does create some nice ambiance that make this record worth picking up for the curious listener. Just don't count on playing more than half of it regularly.


There’s a lot of good music out there, and it’s not all being released this year. With DeLorean, we aim to rediscover overlooked artists and genres, to listen to music historically and contextually, to underscore the fluidity of music. While we will cover reissues here, our focus will be on music that’s not being pushed by a PR firm.

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