Diamanda Galas Schools You In The Art Of How Not To Take Part In The Tradition of Figuring Out How Far You Can Take No Talent

Obsessive love is something we'll all experience at one time or another. But it isn’t all roses and butterfly kisses, kids -- sometimes things get a little crazy. You can be certain that all the emotional bases will be covered as Diamanda presents “Imitation of Life” on the 6th and 12th of August at the Highline Ballroom in NYC. This, one of two song cycles being debuted at the venue, is focused on “the transformation of classic jazz standards and French ballads.” Expression has never been an issue for Diamanda, thankfully, because how much safe twaddle can we all really take when it comes to the expression of love in a vocal performance? I want to know that someone else has experienced the maddening rage, the sense of loss, the moments of pure captivation; it can’t all be standing forlorn at a window or having a long walk on the beach, can it?

Diamanda will also debut the song cycle, “Chansons Malheureuses and Amanedhes” on August 19. Original compositions will be punctuated by the interpretation of texts by Nerval, Cesaire, Hrant, Kazantzithis, Supervielle and Freilinger, in the “vocal tradition of the Amanedhes (improvised lamentations from Asia Minor and the Middle East).” This traditional expression will undoubtedly be presented alongside her own dialogue of extreme technique. The extensive array of voices that she gives power to are always at their most primal and inspiring when witnessed live. Subsequently, her performances are generally described as "challenging," but really, no one ever said that confrontation was easy, honey.

If you can handle it, kids:

[Photo: Paula Court]

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