A long time has passed since a peep has been heard from Cosi and he returns with a Popol Vuh covers album featuring Paul de Jong and Zac Nelson. What a triumphant return it is, hearing his saxophone blaze through classic Popol Vuh. But it seems a story too easy to write: the comeback, the guests and the well regarded experimental band of 40 years ago re-imagined for the 21st century. I keep coming back to those near 7 years of relative silence from Cosi. What does Popol Vuh have to do with those years and how do these interpretations speak to that time away? There MUST be some deeper meaning that eludes my careful detection, or perhaps — like all good music — I’m projecting myself onto that absence. Perhaps I’m the one who has been holed up, barely communicating for seven years. No, there must be a fault in Cosi. So I keep searching through the ramshackle train sample, the glorious sax crescendos, the spastic electronic melodies but all I find is magnificence. A musician reintroducing himself to old fans and new converts through a muse which we can all relate. A brilliant stroke of tasteful tribute and mad scientific pursuit. Whatever Plays Popol Vuh represents, it’s not loss. It’s not regret. We can all agree that Cosi is back and that is a good thing, no matter the toll those seven years have taken on our psyche.
More about: Valerio Cosi
